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THE NEW YORKER

Peter Ackerman's screwball bedroom comedy consists mainly of a sublimely ridiculous conference call involving three pairs of lovers. The questions about sex and the proper balance between intellectual and physical attraction have no answers, but Ackerman has some interesting suggestions, and, to his credit, comedy outweighs the theorizing. John Rando, the director, has a good eye, and the show comes off beautifully. - Josselyn Simpson

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